The success of Michael Moore’s documentary Fahrenheit 9/11 has wetted the public’s appetite for a more open dialogue on what is going wrong in America, an America where large corporations control the media, one political party controls the White House and both chambers of Congress, and the line between church and state has been inextricably crossed.
But Moore’s film is not the only documentary asking movie-goers to analyze some of today’s issues beyond the surface level. Three new ones have hit theatres in limited release and are worthy of attention:
Harry Thomason and Nickolas Perry’s incendiary documentary, based on the best-selling book by Gene Lyons and Joe Conason, offers a glimpse at the genesis of these partisan vendettas and explores the myths and truths behind the nearly 10-year campaign to systematically destroy the political legacy of the Clintons.
Using previously unreleased materials, interviews, and shocking revelations from both sides of the beltway, this probing work focuses on the smear campaign against Clinton from his gubernatorial days in Arkansas leading up to and including his impeachment trial. Kenneth Starr fans, beware.
Less of an advocacy film and more of an alarming treatise on the political power of the media and personal interests, The Hunting of the President offers us a gallery of defeated politicians, disappointed office seekers, right-wing pamphleteers, wealthy eccentrics, zany private detectives, religious fanatics, and die-hard segregationists, all chiming in discord
from the tops of their soapboxes.
Bart Everly’s sharp documentary does double duty, thrusting audiences back into the Lewinsky scandal and profiling the witty Massachusetts congressman Barney Frank, who defended Bill Clinton after recovering from his own sex scandal in 1990. The film unspools like an underground bus tour of the capital, led by one of its most irreverent and perceptive insiders.
One hundred and fifty years ago, the corporation was a relatively insignificant entity. Today, it is a vivid, dramatic and pervasive presence in all our lives. Like the Church, the Monarchy and the Communist Party in other times and places, the corporation is today’s dominant institution. But history humbles dominant institutions. All have been crushed, belittled or absorbed into some new order. The corporation is unlikely to be the first to defy history. In this complex and highly entertaining documentary, Mark Achbar, co-director of the influential and inventive MANUFACTURING CONSENT: NOAM CHOMSKY AND THE MEDIA, teams up with co-director Jennifer Abbott and writer Joel Bakan to examine the far-reaching repercussions of the corporation’s increasing preeminence. Based on Bakan’s book The Corporation: The Pathological Pursuit of Profit and Power, the film is a timely, critical inquiry that invites CEOs, whistle-blowers, brokers, gurus, spies, players, pawns and pundits on a graphic and engaging quest to reveal the 4corporation’s inner workings, curious history, controversial impacts and possible futures. Featuring illuminating interviews with Noam Chomsky, Michael Moore, Howard Zinn and many others, THE CORPORATION charts the spectacular rise of an institution aimed at achieving specific economic goals as it also recounts victories against this apparently invincible force.